'Hit Man' Review: Glen Powell film redefines 'till death do us part'

New Delhi,UPDATED: Jun 13, 2024 20:29 IST

'Hit Man,' directed by the brilliant Richard Linklater, is a cinematic gem that blends humour, action, and philosophy into an unforgettable experience. Starring Glen Powell as the titular character Gary, this film explores the duality of human nature and the fluidity of identity, all the while keeping you on the edge of your seat.

Gary, a psychology and philosophy professor by day, moonlights as a tech support consultant for the police. His life takes a dramatic turn when he starts working as a hitman-of-sorts for law enforcement.

In this undercover role, he crosses paths with Madison, played by the talented Adria Arjona. Madison, entangled in an abusive marriage, wants her husband Ray out of the picture. When Gary, disguised as the suave Ron, meets her, he finds himself drawn to her plight and beauty. Instead of taking out her husband, he encourages her to change her life, sparking a romance that defies the conventions of their circumstances. Then what happens is history.

Richard Linklater's direction is a delight to watch. Every scene is crafted well, and the film never drags or loses momentum. Linklater, in collaboration with Glen Powell, has woven a screenplay that captivates from start to finish.

Each moment is purposeful, adding depth to the narrative and keeping the audience engaged. It's a treat to watch, as the director skillfully balances the elements of drama, action, and philosophical inquiry.

Glen Powell shines as Gary/Ron, delivering a performance that feels tailor-made for him. His portrayal of a man juggling multiple identities is both convincing and compelling.

As the philosophical professor, Gary, Powell's nuanced delivery of complex ideas about the self is particularly engaging. His transformation into Ron, the cool and collected hitman, is equally impressive, showcasing his range as an actor.

Adria Arjona, as Madison, holds her own with a captivating performance. She brings a mix of vulnerability and strength to her character, making her someone the audience roots for.

While Austin Amelio's character, Jasper, isn't the quintessential antagonist, he certainly throws a wrench into Gary and Madison's burgeoning romance. His portrayal of the troublemaker adds an extra layer of tension and conflict to the story.

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One of the film's most intriguing aspects is its exploration of the notion of 'self.' Gary's various identities serve as a commentary on the fluidity of human nature. His lectures on philosophy and the construct of selfhood parallel his own journey of self-discovery and transformation.

As Gary evolves, so do his teachings, reflecting his inner turmoil and growth. The classroom scenes, where he is closest to his truest self, offer a window into his psyche, presenting his most vulnerable self to his students and, by extension, to the audience.

Without giving too much away, the film concludes on a happy note, but it leaves viewers with plenty to ponder. It challenges the idea that humans are static beings, suggesting instead that we are capable of profound change. Gary's journey from a philosophy professor to an undercover operative and finally a lover underscores this theme beautifully.

The film posits that our true, authentic self is not fixed but is something we can shape and reshape, depending on our choices and circumstances.

'Hit Man' is more than just an action-packed thriller; it's a thought-provoking exploration of identity and transformation. Richard Linklater's direction, combined with Glenn Powell's stellar performance, makes for a film that is both entertaining and intellectually stimulating.

Whether you're drawn to its philosophical musings or its riveting storyline, 'Hit Man' is a cinematic experience that is not to be missed. So, buckle up and get ready for a ride that will leave you questioning the very nature of self and the endless possibilities of human change.